'Lighting and Studio'
RPS Studio 12′ 4-Section Heavy Duty Boom/Lightstand (RS-1155)
Posted on 06. Dec, 2011 by admin.
RPS Studio 12' 4-Section Heavy Duty Boom/Lightstand (RS-1155)
- This boom stand uses a unique clamp which allows the stand to easily and quickly covert into a boom stand.
- Easy one hand adjustment
- All metal collars
- Air cushioning
- Includes sandbag counterweight
- Upright diameter: 44mm
- Upright sections: 4
- Boom sections: 2
- Maximum height: 144"
- Max boom extension: 72"
- Closes to: 44"
Vanguard SBH Series Ball Head (SB-100)
Posted on 01. Dec, 2011 by admin.
Vanguard SBH Series Ball Head (SB-100)
- Precision-cut ball head moves swiftly and steadily so you won’t miss the action
- Strong, yet lightweight magnesium alloy
- Designed with molded body parts, not assembled cut parts, like the competition
- Smooth locking knobs allow you to move the ball head swiftly and securely into the perfect position, even with the heaviest lenses and cameras
- Includes two bubble levels, 360-degree scale, fine-tuning knob and a safety lock for extra stability
- Special universal VANGUARD quick shoe for body/lens is also included so you can upgrade your system to quick-release immediately
- Supports up to 22 lbs./10 kg
Vanguard Pistol Grip Ball Head (GH-100)
Posted on 01. Dec, 2011 by admin.
Vanguard Pistol Grip Ball Head (GH-100)
Fusing the smooth precision of a ball head with impressive ergonomic control, GH-100 enables you to position your camera or spotting scope quickly with unmatched versatility.
- Grip Position Release System with an industry-leading pistol grip-style handle
- Rotates 360 degrees and enables you to unlock, reposition and lock gear into place with ease
- Allows 360-degrees of panning movement and -32 to +90-degrees of side-to-side tilt and -8 to +90-degree back to front tilt movement all round
- Instantly locks into place with simple release of the handle
- Friction Control System allows you to modify the level of friction on the ball to accommodate changing equipment weight
- Anodized center ball allows for extremely fluid movement without sacrificing precise control
- Dual-locking quick shoe mechanism prevents accidental release and lets you attach and detach your gear quickly and efficiently
- 72-click point panorama, offering 72-point rotation with click-into-place positioning that moves the camera 5 degrees per click
Vanguard Alta Plus 235AB 50 Tripod
Posted on 01. Dec, 2011 by admin.
Vanguard Alta Plus 235AB 50 Tripod
Hailed as the world’s most lightweight and compact high-quality tripods, VANGUARD Alta+ tripods were designed by professional photographers to meet the most demanding requirements – all in a sleek, modern design. Alta+ tripods combine ultra stability, durability, easy of use and reliability every photographer needs.
- Lightweight aluminum perfect for air travel and backpacking
- Folded weight: 18.75" (that's small!)
- Includes the popular SBH-50 ball head, which rotates 360 degrees and enhances your angle possibilities by tilting from -90°to 35°
- Its legs adjust to 25, 50 and 80-degree angles with a simple push of easy-release buttons for easy terrain changes and low angle-shooting
- Advanced camera vibration and shock control
- All-weather foam grip legs
- Patented premium magnesium die-cast canopy and head
- Non-slip, spiked rubber feet for changing terrains
- Removable hook for hanging camera accessories
- Two bubble levels
- Maximum weight: 6.6lbs
- Limited lifetime warranty
- Free tripod bag included
RPS Tripod/Light Stand Dolly
Posted on 01. Dec, 2011 by admin.
RPS Tripod/Light Stand Dolly
- This heavy duty dolly works equally as well with tripods or light stands.
- The rests for the feet of the legs of either a tripod or light stand are adjustable up to 17” from the center.
- The foot locks adjust up to 2”. Thus, this dolly will work with almost any tripod or light stand.
- The 3” wheels roll effortlessly and easily track in any direction. They also have secure locks which are easily operated by foot preventing movement when locked and allowing easy flow of the dolly when unlocked.
- Features quick release pins for the arms to allow for quick set up or break down.
- Complete with a built-in carry handle.
- Closes to a compact 7” x 21” for storage or transport.
RPS Studio Deluxe Video & DSLR LED Light
Posted on 30. Nov, 2011 by admin.
RPS Studio Deluxe Video & DSLR LED Light
- Includes variable power output switch which dim all the LEDs: full, 3/4, 1/2 and 1/4 power.
- Also operates on 5 “AA” batteries instead of the rechargeable battery used in the DV60 and DV112.
- Included is a shoe mount with female 1/4-20 thread (for light stands or tripods) and for standard accessory shoes found on most DSLR’s.
- A Sony camcorder mini shoe adapter mount adapter and a mounting bracket for cameras that do not have a shoe.
- Also can be used with NiMH rechargeable batteries. Batteries not included.
- Wide range of accessories available.
RPS Studio Wireless Speedlite Trigger Kit
Posted on 30. Nov, 2011 by admin.
RPS Studio Wireless Speedlite Trigger Kit
- Trigger your monolites using RF wireless signals. Better than infrared or simple slaves. Sensite up to 85 ft. Transmitter fits on the camera’s hot shoe (PC cord also provided).
- A female PC outlet is also included on the receiver if you want to use it with a speedlite with a PC cord.
- Allows the user to select from 4 different channels. Prevents interference when used in an areas with other flash triggers, or if you encounter interference from other wireless networks.
- Specifically designed for standard speedlies! Allows the user to mount a standard speedlite using the hot shoe on the receiver.
- Also has a PC outlet built into the receiver if your flash does not have a hot shoe.
- Serves also to mount your flash unit on a tripod or light stand with a 1/4x20 threaded mount, or onto an accessory shoe.
- Versatile design features an umbrella holder to hold standard umbrellas, and has a tilt feature so you can “bounce” your flash/umbrella combination.
- Has 2 hot shoes, so you can actually point the flash at the very center of the umbrella.
- Compatible circuitry with the RS-RT03K4C units above, so you can mix and match monolites and speedlites! Great for Softboxes too!
RPS Studio Wireless Flash Trigger
Posted on 24. Jun, 2011 by admin.
- This kit allows a monolite flash to be triggered without the use of a synch cord or cable.
- It is done by RF (Radio Frequency) which is more secure then infrared and is not "line of sight."
- The kit consists of a receiver which plugs into the flash unit which accepts the 1/" mono plug.
- Included in the kit are adapters for 3.5 mini plug as well as a PC outlet.
- Also included is a transmitter which mounts on the cameras hot shoe.
- When the unit is activated, the shutter release triggers the transmitter which fires the flash.
- Other flashes which have a built-in slave synch will also be triggered. This is a four channel kit.
RPS Studio 10′x10′ Background Kit
Posted on 24. Jun, 2011 by admin.
- This heavy duty portable background support features metal collars and an aluminum crossbar and uprights with a black finish to cut down on reflections.
- The uprights have three sections. The uprights extend from 41.5 inches to 111.8 inches (over 9 feet).
- The diameter of the largest section is 1.4 inches, the middle section is 1.25 inches. The smallest section is 1.1 inches.
- The crossbar has 3 sections. It extends from 6.10 feet to 10.4 feet with a diameter of 1.25”.
- Included is a heavy black nylon carry/storage bag that features hook and loop closures, an exterior pocket, and carry handle.
RPS Studio “Hi-Vis” Sandbag
Posted on 24. Jun, 2011 by admin.
- RPS Studio Hi-Vis Sandbag is a general purpose counterweight used with any light stand or boom.
- Includes "Hi-Vis" yellow stripes so it is easy to see in a darkened studio, prevents accidents.
- Sandbag has two pockets which can be filled with sand to produce the proper counterbalance effect (sand not included.)
- Also includes a hook to hang from a boom arm and a heavy duty sewn handle with metal reinforcement plate.
























